I spoke with Edwards the day after watching 28 minutes of Rogue One and the director of (the wonderful) Monsters and (the divisive but brilliant) Godzilla shared his thoughts on moving from the independent realm to the world of blockbusters, why Star Wars still matters, and how the war-torn fictional moon of Jedha is like Nazi-occupied France. I was talking to some of my friends who work as programmers for SXSW and they remember seeing an early version of Monsters from when you submitted it. There were no finished visual effects, but they remember thinking If interview skills video download this guy can pull this off, itll be amazing. [Edwards laughs] Has your process changed from the days when you were making tiny movies like that? Has having thousands of collaborators on a giant movie forced you to adjust your sensibilities? Obviously, check this link right here now with a film like that, you get a lot of great freedom in that you can be very organic. People would always say, if they were polite about that film, they would say, How did you make something reasonably good with so little money? I think the opposite is true. How do you make something good with an insane amount of money? Because when theres a lot of pressure riding on something, when you have this really high budget stuff, it could click to read more potentially limit you. I found there are a lot of advantages to being on a small budget and having a small crew. You get some very intimate performances and naturalistic cinematography.
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